ART VOICE
            A little about my self, I am a Buffalo soldier. I was born, raised and educated in Buffalo, NY. I moved to North Carolina in 1994 just 3 days after I finished college. I traded in the cold late night bar scene for a warm sleeping bag and a tent. I will never forget that phone call from my good buddy DJ Ellington who asked me to move to Summerfield to work with him and a retired sculptor Robert Burkhart.  They were building this amazing sculpture garden and studio where Robert would live and work. The only catch, I would have to live in a tent while we were building.

            My nickname was Bongo. DJ and I crafted a sweet Shangri-La in the forest behind Roberts property, equipped with a tub we made from damming up the creek and a tree house which became our make shift office. Oh, I paid dearly for that tree house; I learned quickly that poison oak could spread just as fast as the kudzu that surrounded us. Every morning the workers who were building the house would show up and yell “hey Bongo”, that was their way of saying were here get to work. They didn’t know what to think of us, a couple of Yankees who lived in tents and played guitar in trees. But a strong work ethic and a sense of humor quickly won them over, and the name Bongo over time had a hint of respect built into it.

            I learned how to collaborate. Working with DJ and Robert gave me a taste of what the real world of art was like. In school, you make a piece of art and the teacher and the rest of the class critique it. You learn to justify your process and your idea, in some ways you are always in a defensive posture. The only people you collaborate with is you, yourself, and I. I thought that when I finished school I would make art and people would buy it, not the case. I didn’t understand that when you make art for other people it requires dialogue and compromise. At times it is a struggle to define your style as an artist within someone else’s guidelines and criteria. Working within in a group has taught me to listen carefully, synthesis and streamline ideas to come up with a consensus. The more input someone has into the creation of a piece of art the more intrinsic ownership they have with the piece.

            Sometimes tragedy leads to opportunity.  The day started like any other day good work, and good conversation. My good friend Robert leaves to get food for lunch, and is killed in a car accident. Life stopped for both of us in a sense, his in body, mine in soul. He was my mentor, what I learned from him I will carry with me for my lifetime, and I will pass it on to my children. It is strange that when you are used to looking at the world the way you always have safe and content, opportunity always seems just out of grasp. But when someone shakes your tree and uproots you from your normality and gives you fresh eyes to see, opportunity shakes your hand and wants your number.

            Voids are filled. When Robert passed I moved my studio back behind what used to be Thiggy’s Pizza on S. Elm. The only thing to keep me company was my work and the constant humming from the fluorescent lights. I was productive and motivated, but something was missing. I found myself yearning to collaborate and be around people that inspired me. That’s when I stopped my work and created a place for others to work. I created Lyndon St. Artworks as a haven for artists to create, share and learn from one another. Currently I have over forty artists to keep me company. Creating art is important to me, but working in an environment where you can be inspired by those around you is a blessing.
 

latest blogs

Gateway Gardens

   I have been commissioned by Greensboro Beautifulto build 4 Butterfly Shade Structureand a  Concrete and Steel Book for the Children's Stage.  Gateway Gardens     The following a...

2008 Winter in Leningrad

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ON THE HORIZON


I am currently working on 4 butterfly shade structures for the new Gateway Gardens in Greensboro. The butterflies are 4' x 6' and 10' high. Work should be installed by end of 2009.

 Gateway Gardens has also commissioned me to create a 12' x12' steel book that will be the backdrop for children's stage area.

TESTIMONIALS

"Erik Beerbower is  a passionate leader in our artistic community, recognized  by artisans and layman alike, for his deep  well of creativity and enthusiasm. He  has contributed in innumerable ways  to Downtown Greensboro and  its development as a cultural  destination". 

Lee Mortensen

Vice President
Downtown Greensboro Inc.